Where has C.J. Cherry been all my life?

Where has C.J. Cherryh been all my life? An SFWA Grandmaster since 2016, she has been producing hard science fiction and space operas since 1976, yet — unless some of her short fiction has crossed my path — I am almost certain that none of her novels have until now.

I'm going to blame that reader's omission on the fact she has been published by DAW Books, which for decades was an outfit whose covers somehow read amateurish to me. With very few exceptions, nothing published by DAW ever weighted my shelves.

Pity that, if Cherryh's Foreigner is anything at all to go by.

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There are in this world good books, and there are bad books, but especially, there are mediocre books, novels that briefly entertain and which are then discarded by the reader and quickly forgotten. Nothing right or wrong with them, just disposable products — mind-candy, as some have put it.

And sometimes that is what a reader wants: a distraction, light entertainment to wyle away a couple of hours on a train or bus, when sleep is not to be had but one doesn't have the energy to imbibe something of substance.

If I were a more high-fallutin' reader, I suppose I would disdain mere "reads", but I admit it: I sometimes like to simply distract myself with words and story. What rankles, is when mediocrity is trumpeted as greatness, when light entertainment is likened to Art.

Which brings us to one of Neil Gaiman's first solo novel, one whose blurbs liken it variously to the works of George Lucas, Monty Python, John Milton(!), Douglas Adam, Doctor Who and, most eggregiously, Lewis Carrol's Alice In Wonderland. Does Neverwhere deserve such sometimes lofty comparisons? Read more ...

More than 40 years later, this gift is still with me, and still makes me weep.

May 30, 2020 — Some gifts just keep on giving, and this omnibus hard-cover edition of The World of Pooh, which includes A.A. Milne's Winnie-the-Pooh and The House at Pooh Corner, is one I have returned to again and again.

I reviewed the book(s) back in 2010 — I see now I posted it on my 45th birthday —, and have re-read the books more than once in the intervening decade, so I can confidently state that I love Milne's masterpiece in my fifties as much as I did in my forties (and thirties, and twenties).

Wednesday, May 27, 2020 — Though I didn't know it in 2012, The Adventures of Tintin: The Secret of the Unicorn probably marked the beginning of my dis-enchantment with the work of Steven Moffat, who would go on to do god-awful things to Doctor Who. I admit, I haven't re-watched his bizarrely over-complicated take on Hergé's classic comic series, Tintin, but I have little doubt I would react more or less the same was today as I did in 2012. (Click the headline above for the full review.)

It's not news that one shouldn't judge a book by its cover, but I have a soft spot for space opera; I confess, the big space base (which I initially mistook for a starship of some sort) adorning the cover of Neal Asher's novel, The Departure, helped sell me on it. As it turned out though, The Departure hardly qualifies as space-opera and only squeaks by as science fiction pretty much the way Superman does: on technicalities. Though it's set in the future and some of the action takes place in orbit and on Mars, the book is really just a narrated first-person shooter dressed up in some SF tropes — a corrupt and incompetent world government, artificial intelligence, robotic weapons and a trans-human genesis. But all that is only window-dressing. That spectacular cover is a gateway to lugubrious dialogue, sophomoric libertarian philosophy, hackneyed world-building and, especially, to one pornographic blood-bath after another. The Departure is one of the worst books I have read in a very long time. More boring than Atlas Shrugged (which I reviewed a while back), it drips with just as much contempt for ordinary human beings. Unlike Rand's John Galt though, Asher's superman does much of his killing at first-hand. Does this novel have any redeeming qualities? The short answer is "no". The long answer lives behind this link.

'Well, you know, I just — I was thinkin' that I'd just nip it in the bud. Before it gets worse. 'Cause they were talkin' in health class about how pregnancy can lead to ... an infant.'

It's not giving much away to say that Juno MacGuff does not nip her pregnancy, "in the bud" or otherwise. Instead, after a brief flirtation with abortion, the 16 year-old opts to carry the foetus to term and give the baby up for adoption. Significantly, Juno is not punished for her transgression (except insofar as the pregnancy itself meet be considered a punishment) persons seeking in the entrails of Juno any overt anti-abortion, pro-choice, pro- or anti-sex or other coded messages are in for a serious disappointment. The movie's eponymous title gives the game away. Juno is a story about (nearly) a year in the life of a teenage girl named "Juno". It is not an issue movie, or a cautionary tale, or a call to arms. The fact that Juno is about a pregnant 16 year-old girl does not mean it is "about" teenage pregnancy. At its heart and despite its subject-matter, Juno is a romantic comedy. Where we might once have had Katherine Hepburn as a wise-cracking career-woman in a man's world, we now have Ellen Page as a wise-cracking teenager, who is every bit as independent as Hepburn ever was, if in a very different world. (Spoilers ahead, but not many; this is a movie whose surprises are worth keeping.)

Fʀɪᴅᴀʏ, Aᴘʀɪʟ 17, 2020 — If art, like beauty, is in the eye of the beholder, so too is filth. Back in 2012, I saw Canadian auteur Atom Egoyan's then-current, and ever-so-serious psychological drama film, Chloe, around the same time that I saw Matthew Vaughn's controversial super-hero movie, Kick-Ass. I thought the world of one, and held the other in contempt. Read on to find out which was which.

Photo of Kim Stanley Robinson by Gage Skidmore, CC BY-SA 3.0, via Wikipedia.

Sᴜɴᴅᴀʏ, Aᴜɢᴜsᴛ 9, 2020 — Kim Stanley Robinson became one of my favourite writers with his novel, Red Mars and its sequels. His work has been uneven since then, but not to the point where I have stopped paying attention when he releases a new novel.

Galileo's Dream was released in late 2009, and I read and reviewed it shortly after. This review was originally published on Rex on January 19, 2010.

I have recovered it thanks, once again, to The Internet Archive's Wayback Machine. Click here to read the full review.

Allen Carr's Way was easy for me

Tᴜᴇsᴅᴀʏ, Aᴘʀɪʟ 14, 2020 — I was a smoker for many years, starting in my teens. It seems almost impossible to believe, now, that I was utterly addicted to cigarettes for decades, going so far as to walk around collecting butts during bad times.

I stopped smoking in the fall of 2009, now more than a full decade in my past. And I don't think I would have done it without help from Alan Carr's Easy Way to Stop Smoking. Read more ...

Dylan was already a long-standing legend when I reviewed this memoir back in 2004 (to which I made some minor corrections when I posted it here in 2009). Since then, he has won the Nobel Prize for literature and, very recently, seems to have taken up song-writing again. Which Pati Smith's memoir, Just Kids, Chronicles Volume One remains one of the most interesting musician's memoir I've ever read.