Kick-Ass and Chloe, reviewed
Fʀɪᴅᴀʏ, Aᴘʀɪʟ 17, 2020 — If art, like beauty, is in the eye of the beholder, so too is filth. Back in 2012, I saw Canadian auteur Atom Egoyan's then-current, and ever-so-serious psychological drama film, Chloe, around the same time that I saw Matthew Vaughn's controversial super-hero movie, Kick-Ass. I thought the world of one, and held the other in contempt. Read on to find out which was which.